I develop live electronics for concerts, coding with software such as SuperCollider or Max/MSP. The challenge often lies in transforming vague descriptions of desired sounds into complex systems that achieve the intended audio results.

I handle sound direction for concerts, specializing in music with live electronics. I focus on both technical aspects and the artistic vision of how the piece should sound, conducting rehearsals and collaborating closely to understand and realize the composers intentions.

I record both concerts and studio sessions, edit and correct sessions and create mixes ranging from traditional stereo to immersive binaural and spatialized configurations, with careful attention to each formats demands.

I manage audio integration, covering everything from technical and artistic concepts to implementing dynamic and interactive audio solutions. This includes applications such as those used in games and location-based entertainment, like theme parks.

I compose music for TV, film, games, entertainment, installations, concerts, and exhibitions, covering genres like modern film music, contemporary music, and acousmatic.

I work as a software developer specializing in frontend web design, with many years of experience in both code-based and visual programming languages, such as Max/MSP. I also have experience in various other languages, including C++ for audio DSP.